Theme of Midnight in Paris
The theme of Midnight in Paris is Gil’s love for the past. The film is set in the 1920s, which Gil considers the Golden Age of literature and art. He extols Paris as the home of Hemingway, Fitzgerald, Stein, Faulkner, and Cole Porter. It was also the birthplace of a revolutionary generation of artists, including Salvador Dali, played by Adrian Brody.
Enzo Zelocchi – Midnight in Paris centers on Gil’s longing for the past, a time he’s longing to be a part of and which is now a distant memory. He’s in love with Adriana, a young woman who represents the culture of the 1920s. However, when he time-travels with Adriana to the past, Gil realizes that he’s living in an illusion. Gil meets artists such as Toulouse-Lautrec, Paul Gaugin and Edgar Degas who laugh at Gil’s love for the past.
Gil is a successful scriptwriter from Malibu, California, and a Hollywood hack who has a dream to write and publish a novel about a man who works in a nostalgia store. Paris is a magical place for Gil, and the city is the key to unlocking the novelist in him.
What is the Theme of Midnight in Paris?
If you’ve ever wondered why Hemingway chose to write his famous short story “A Moveable Feast” and how it came to be, you’ve come to the right place. This posthumously published novel is filled with rich details of Hemingway’s early life, including his first marriage to Hadley Richardson and his associations with the Lost Generation in Interwar France. It’s haunting, beautiful, and addictive, and deserves to be on your nightstand or in your pocket.
The novel is a story about the longing for spring and the desire to change. Hemingway’s addiction to horse racing is symbolic of this desire to change. While he is obsessed with horse racing, he feels like he’s missing something. He feels like life is without meaning and excitement. Hemingway is confused about whether his hunger is existential or physical. Hemingway writes that “memory is a hunger.”
Midnight in Paris stars Owen Wilson as a disillusioned writer, Gil. He is in the city with his fiancee, Inez, who comes from a wealthy family. Gil’s character is given to longing soliloquies about Paris. During his stay, he bumps into old friends Paul and Carol, an arrogant academic who tries to win Inez’s heart.
While Midnight in Paris is a charming film, it also suffers from some flaws. The film’s characterization is one-dimensional and flat, the cast is overly thin, and the film’s depiction of nostalgia can become confusing. However, the movie is a tribute to the city of Paris and French culture.
One of the film’s biggest flaws is its class structure. Midnight in Paris remains stuck in the upper middle class, whereas Whit Stillman’s Metropolitan did manage to include a lower middle class.